![recompress audio recompress audio](https://www.apowersoft.com/images/support/sar/autorecordguide.jpg)
This is the easiest way to avoid over-compressing. More compression is more obvious, and the goal with compression is to make your tracks more consistent and be as transparent as possible. Watch your gain reduction meter on your compressor, and try to keep it in the 3-6db range.
![recompress audio recompress audio](https://moisescardona.me/wp-content/uploads/2019/04/Precomp-GUI-v0.1-1.png)
You’ll compress a little more often but much more smoothly and transparently. Keep your ratio low, and lower the threshold a little instead of using a high ratio. Use lower ratios, like 2:1 or 3:1.Ī compressor hitting hard on a track sounds unnatural. It’s about controlling the dynamics of the song, not killing them. Use a slower attack.Ī fast attack turns down the audio as soon as it gets to the threshold and kills it. Other instrument do not always need compression. Vocals carry the lyrics, so a little compression ensures lyrics are audible when the singer sings more quietly. Drums and bass are the rhythmic foundation of your song, so it’s always good to make them consistent and punchy. Here are simple ways to avoid over-compressing, and keep control over your tracks and song without squashing and killing it. Compression, along with EQ, is one of the most basic and useful tools you have in your arsenal for mixing.Ĭompression makes things punchy. Compression makes things loud and clear. Compression makes your tracks more consistent throughout the song.īut compression also makes things sound choked. Compression makes drums sound muffled and dull. Compression makes your listening experience tiring sometimes because listening to loud music can be exhausting and distracting sometimes.